Spark

Vintage Finds: Prototype Vintage Design

On a walk down South Congress you will find one of a kind shops and restaurants that clearly define Austin’s unique personality. Prototype Vintage Design is one of the many must-visit boutiques along the hip street. Located on 1700 Street South Congress, the shop offers vintage apparel for men and women and vintage home decor. Their store is filled with great pieces that are still very wearable today. The boutique was founded by Audrie San Miguel, Emily Larson and Sarah Evans who felt Austin needed a space for vintage designs that reflect the modern style of today. 

Among the racks are cute tops perfect for the hot weather ahead. This season it is all about large feminine florals and bright colors. Coral is one of the very popular colors and can be combined with neutrals or other bright colors such as turquoise. Adding a pair of shorts with any of the tops below will guarantee a cute outfit for a casual gathering or even class. 

Summer would not be summer without daytime dresses. Prototype Vintage has a great selection of dresses perfect for a casual barbecue or concert.  Dresses cinched at the waist create a more feminine look and complement all body types. The black floral print dress goes great with the purple belt for a pop of color. The same can be said for the solid green dress and brown belt. Dresses are fun to wear because there are so many ways you can style them. Add a belt, necklace or earrings and don’t forget a cute handbag and you are set for a great day. 

Prototype Vintage also sells shoes, purses and jewelry. They have very unique items you probably won’t find anywhere else. The pearl clutch is a great statement piece to pair with a cocktail or formal dress. The insect necklace with pink jewels will definitely set any outfit apart. Vintage clothing is a must-have for any wardrobe. It is always interesting to see fashion from the past styled with today’s current trends. 


By Sheila Buenrostro, Vintage Finds columnist

Prada and their Nostalgia for the Past

Retro looks, particularly those inspired by the ‘50s and ‘60s, reign as one of the season’s hottest trends.  However, fashion owns a reputation for always flaming forward, trailblazing to the future while leaving the past behind.  After all, “fashion” connotes clothing popular in our own time, at the very moment boutiques stock their racks with high-end designers’ ensembles that just recently stomped down the runway.

A throng of designers, especially those hailing from Italy, created looks obviously rooting from ‘50s and ‘60s fads.  Rather than simply making a statement through wearing clothes of a different era, I think these designers (from Miuccia Prada to Domenico Dolce and Stefano Gabbana) wished to evoke moods associated with these golden eras from decades long gone. 

Prada’s Spring/Summer 2012 Women’s Advertising Campaign Video

Let’s look at Prada’s advertising campaign for the house’s women’s Spring/Summer 2012 collection, for instance.  Models clad in chiffon-like ribbed skirts, body-hugging tops and loose-fitting, flowing dresses in pretty pastels seemed ethereal and calm, yet somewhat enigmatic.  While clearly beautiful women in body-conscious clothing, they possessed a loud sense of independence absent in women during that time (after all, most women married right after graduating high school to live domestic lives while obeying their husband’s wishes). These women, however, were aware of their missions while corralling around the gas station in their ultra-masculine gas-guzzling cars.

Perhaps the flame pattern adorning some dresses and heels added that spark of individual independence nonexistent in those decades’ popular cultures. Prada’s decision to add a favorable trait for women to possess in modern times to looks inspired by a much simpler time was nothing short of brilliant. 

With a staggering economy, not only in Italy but around the world, augmenting an era where beauty and economic stability ran free with feminine strength gives consumers hope for a fashionable future. 

By Jonathan Ochart, Global Threads Columnist

Images from luxo.co.za, graziadaily.co.uk, and style-amore.com.  Video from Prada

Dressing the Part: Joan Harris of Mad Men

The telly has offered ideas, entertainment and insight in generations past, but now,

more than ever, characters are getting a heavy dosage of style. Joan Harris, formerly

Holloway, is the femme-fatale, quasi-feminist and sexually liberated queen bee of Mad

Men. The show is an Emmy award winning AMC period series that has gained critical

acclaim as well as a strong fan base from history buffs and style aficionados alike. Joan

is the antithesis of the typical prove-your-worth, actual feminist like dowdy coworker

Peggy Olsen.

As a modern woman, she is mature; a sophisticate of the working woman’s world and

a staple at the Madison Avenue office of the advertising agency the series is centered

around. Her style follows suit and she is always found dressed to the nines in luscious

curve-hugging dresses, maintaining a femininity in the very manly world of 1960s

advertising elites. Bodaciously curvy, the prima donna secretary is all hips, wearing tight

fitting (by 60s standards) dresses that enhance her features. She is a Marilyn, or rather,

Marilyn is a Joan.

Jewel tones and solid colors become the fiery-haired, red lipped beauty, so don them

if you wish to mimic her style. Fake her hips if you aren’t quite working with Hendricks’

(the actress who portrays Mrs. Harris) with a very “now” figure-hugging peplum illusion.

Or, cinch in at the waist for a similar hourglass figure. Gold accessories are a must;

brooches, necklaces, pearl studs. Joan’s staple piece is a long gold pen necklace

perfectly practical for a secretary but any dangling piece will work.

The coquettish red-head is also fond of the neck scarf, tied teasingly at the throat or

between her bangs and bump. Keep the makeup time-relevant with a cat eye and lip

stain but prevent a dated look with platforms fit for the present in bright, fun colors (or

snakeskin like the Dorothy Perkins above!) Rarely will you find the office maven in

anything other than the ever-professional, always flattering dress but if pants are your

thing, Joan will sometimes rock the cropped pant, cropped top combo.

Janie Bryant, the Mad Men costume designer and personal stylist to Mrs. Harris,

encourages always, ALWAYS pairing any vintage looking piece with a modern

counterpart to prevent gaudiness or a costume feel. Finish up with an exuded sexiness

and demure smirk and you’re all set.

By Taylor Prewitt, Dressing the Part columnist

Images from swingfashionista.com, diamondstatetrust.com, amctv.com

Global Threads: Japanese Designers Update Fashion with Tradition

After Japan underwent hauntingly devastating natural disasters last year, it seemed as if the country’s history went up in ruins. Nonetheless, Japanese designers drew inspiration from the island’s cultural past in creating looks for Japan Fashion Week in Tokyo late March.  From capitalizing on the ever-so-loud Harajuku girl trend to reinventing a hallmark of Japanese culture, the kimono, this year’s A/W Fashion Week in Tokyo provided the fashion scene with mixtures of Japan’s past, present and future.

With designers introducing new methods to apparel design, they not only demonstrated Japan’s growing fashion influence - they successfully educated the public about their traditions by sewing their cultural threads into pieces showcased internationally.        

For instance, Jotaro Saito, a renowned kimono designer, crafted a bold line of the formal robe with contemporary twists (shown above).  From integrating lines (verticals, horizontals, diagonals and everything in between), rich colors (think ink black, crimson, orange sherbet and teal), to including polka dots (a pattern commonly associated with Carolina Herrera and her dresses made in the ‘80s and ‘90s), Saito presented a truly intrinsic impression.  Borrowing trends popular in other cultures and from foreign designers reveals the kimono’s unsuspected cultural versatility despite its traditional stature.

Masanori Morikawa produced a collection that directly resembled its title: “Lost” (shown above). Keeping in mind the nuclear issues occurring in Fukushima, Morikawa planted environmental concerns into his work.  A progression of black and green dresses walked under a green light, further emphasizing the ongoing battle between nature and nuclear energy, in addition to menswear embellished with leather. To finish off the show, a theatrical presentation featuring a birdcage turning into an angel took place.  According to the designer, the transformation symbolized rebirth.

These two designers and others used fashion to blend concerns we as humans face daily with artistic flair throughout the recent fashion week in Tokyo.  As wearable reminders of history and the days to come, these ensembles help us in making monumental yet personal decisions, whether they involve preserving nature, our cultural identities or both.

 By Jonathan Ochart, Global Threads columnist

Images from Corbisimages.com, Stylewylde.com, Fashion-j.com, Lucire.com, Womensweardaily.com, and News.yahoo.com.

Fashion Adventures in Austin: UT Contour

On Thursday, April 19th, 2012, the apparel design seniors from UT Austin showcased their final collections at the annual fashion show put on by the University Fashion Group. The name of the show this year was “Contour” and was inspired by the senior designer’s showing of different lines, shapes, techniques and textures. Overall, the show brought forth a range of fashion silhouettes including athletic wear, menswear, costume-inspired pieces and interesting perspectives on evening and bridal.  Each of the designers’ different aesthetics and inspirations behind their pieces truly showed the copious amount of creativity these young designers have and how much potential they have to make their mark in the world of fashion design.
The show opened with the designers’ knit fabric project. A striking trio from Jonathan Shakarisaz, Sofia Maldonado and Wendy Sandoval were front and center, all with short, yet elegant dresses. Daniela Vasquez introduced us to separates - a blue floral top with pink shorts, finished with a pair of comfortable white tennis shoes. A stunning gray and white tie-dyed dress from Albert Zhou drew “oohs” and “ahs” from the crowd, as Katrina Raz’s intricate dress turned heads as well. Albert Zhou, Katrina Raz, Rebekah Hoffer and Harrison Koiwai all took the Knitted Fabric Awards.
Several different themes were observed in the show this year, from the strikingly severe collections of Kaidon Ho, Stefant Phonthephasone and Harrison Koiwai, to the softer, more feminine designs of Ashley Trevino, Katrina Raz and Vivienne Hoang. There’s always a wide range of design aesthetic at the senior fashion show, and this year was no different.
The individual collections started with Sofia Maldonado, who showcased a collection based upon the colors and vibrancy of a Salvadoran market. Properly titled “Mercado,” Sofia’s collection has the ready-to-wear appeal that the mass market loves, but has that certain “spice” that sets it apart.
Marisa Chapman showcased career wear pieces, complete with floral fabrics.
Sara Essoufi has mastered the art of color blocking, and this was apparent with her final collection. Crimson paired with seafoam green, kelly green dashed with cerulean and dreamsicle orange teamed with magenta, all made the eyes dance.
Ashley Trevino was inspired by the movie “Casablanca” and the 1940s era for her senior collection, which felt like a resort wear line perfect for a summer cruise. The collection had a warmth that I felt separated it from the rest. In addition, it was accessorized wonderfully with sunglasses, earrings and a white floppy hat.
Chandler Hamilton took home the honorable mention awards of most marketable along with best collection. Her collection was inspired by the strong women of Haiti, and was created with coffee dyed harem cloth, leather and burlap. The leather accents in each piece were stunning and like Ashley Trevino’s, it was accessorized well. Women will want to wear this line. To learn more about her cause you can visit the Haitian Creations web site.
Jonathan Shakarisaz presented a “disco bloodbath of fashion” that stood out due to its dark nature and impeccable tailoring. Jonathan presented a look with a blood stained striped shirt a la Friday the 13th with denim jeans that were constructed with great detail. Jonathan took home an award for Best Technical Design.
Daniela Vasquez’s Hello Kitty meets punk rock collection was inspired by Japanese street style and Harajuku culture.
Lauren Tullos took a different design approach than the rest of the senior designers by showcasing a casual line of sportswear, inspired by the Greek god Hermes. What I loved about this collection is that it wasn’t your run-of-the-mill sportswear.
Lauren Stewart’s collection was inspired by mid-century pieces and jetsetting. She used various shades of blue and shimmery fabric.
Andrea Salazar was inspired by Western ghost towns and deserts. Her inspiration was translated wonderfully through the use of crow feathers and other textures.
Loan Trinh’s Jil Sander inspired coats were a marvel at Contour, complete with origami folds and demure color choices.
Harrison Koiwai presented my favorite collection of the night. The inspiration behind his collection was his childhood and his exploration of his own identity as a biracial person. Each look had a different structural quality and was intriguing from start to finish. Harrison completed his collection with a kimono that had his childhood blanket sewn inside.
Rebekah Hoffer’s vivacious collection was properly titled “Psychadelic Mushrooms,” and was contrasted by the use of bright colors paired with black. I suggest that Rebekah should intern for Betsey Johnson, because she was a penchant for an over-the-top, punk rock aesthetic.
Wendy Sandoval showcased a sheet collection inspired by the 1960s music scene. With use of sheer fabrics, Wendy’s collection was sexy and daring, but still had a classically inspired look.
Andrea Conti’s collection was inspired by the women in her life and their fun personalities.
Vivienne Hoang showcased a softer version of an “Ice Queen.” Vivienne’s goal with her collection was to make neutral colors chic and have a sense of elegance. The intricacy in her collection was highly impressive.
Mai Tran’s collection was inspired by carousels. Her collection was created with many fabrics and interesting waist corsets.
Katrina Raz took an award for most innovative (tied with Albert Zhou) at Contour, for her collection that was created using laser cut construction. Her use of tropical colors and flawless construction made her collection one to praise.
Kaidon Ho’s collection may have been absent of color, but it had a sense of eclecticism due to the various materials used. Inspired by quartz and its natural surroundings and origins, Kaidon’s collection was androgynous and mysterious. It reminded me of a few shows from Rick Owens. 
Janie Kang took home top honors for the night, winning best technical design - honorable mention and overall best collection. Janie’s career wear was inspired by “light” and was translated to her designs through the use of digital printing. She used a vivid yellow and cobalt blue that made the collection feel young.
Albert Zhou tied with Katrina Raz for most innovative. His collection, which included two menswear looks and one women’s look, was tailored and clean. One shirt featured a double collar, while the other shirt featured a tie sewn into the shirt. Albert is taking menswear to a whole new level with this spy and espionage themed collection. 
Stefant Phonthephasone’s leather collection was inspired by his favorite show, Buffy the Vampire Slayer. Although each look used black leather, he also included the structural element of dyed orange leather, which all was cohesive with the black canvas of each look. Stefant’s collection was one of my favorite of the night and I can’t wait to see where fashion design takes him.
Samantha Kidd won most marketable with her collection inspired by Indian and Argentinian architecture. I could see this collection being sold at any Nordstrom store across the United States. It had an elegance that was impressively refined for a design student. 
The spectacular show ended with evening and bridal wear. Stefant Phonthephasone won an honorable mention for best evening gown, Janie Kang won honorable mention for best bridal gown, Katrina Raz won best bridal gown and Harrison Koiwai won best evening gown. My favorite bridal and evening looks were Harrison Koiwai’s feather evening gown and Katrina Raz’s jaw-dropping wedding dress, which won first place at Dallas Career Day.
The creativity and hard work that goes into the designs each year is outstanding. Regardless of where these designers go in life, I hope that their experience in the Apparel Design Program stays with them.
By Tyler Neal, Fashion Adventures in Austin columnist
Images by Eddie Camacho

What to Wear: #UTContour Textiles and Apparel Senior Fashion Show

The UT seniors have been working endlessly, completing their looks for the show taking place Thursday at the Frank Erwin Center at 8:00. The show is named Contour and I stand as a witness for their endless work, for I have seen the seniors sleep in the lab and dutifully work during weekends. Ultimately, the most important clothes seen at the fashion show will be the senior’s unique collections, but who says the fashion-goers supporting UT’s Textiles and Apparel department can’t show off their own style? So what exactly do you wear to a fashion show? For those working backstage, all black is an obvious key, but there is much more freedom for those sitting in house and enjoying the show.

Backstage

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Global Threads: When Fashion and the Olympics Run Hand in Hand

In a country where sports dominate several other entertainment fields, the average American often spends hours upon hours keeping up with football teams’ scores, baseball players’ stats and other related news.  After all, March Madness and the Super Bowl tend to cause much more hype among my peers than, say, Fashion’s Night Out each September. It’s no wonder that 30-second ads cost an average of $2.6 to 3.5 billion to air during this year’s Super Bowl (a fact I learned in my marketing class Tuesday morning that seemed fit for this post).

 

But, alas, the Olympics bridges the seemingly unrelated entities of sports and fashion. Just last month, for instance, Ralph Lauren announced a partnership with Team USA for the 2012 London Games.  Rather than wearing basic uniforms, the American fashion house will provide athletes with opening and closing ceremony parade uniforms (as seen in the photo above).  Inspired by the 1948 Olympic Games, blending vintage styles with contemporary trends seems a surefire way to instill strong senses of patriotism for the United States.

More than simple uniforms in red, white, and blue, the partnership demonstrates how sports and the fashion industry may work together in promoting pride within Americans participating in and viewing the games.  Sports have historically brought Americans together (from tailgating to hitting the stadiums to watch games live). Additionally, they bring nations around the world together to signal international accord.

Stella McCartney’s Olympic kits for Great Britain, produced through Adidas, incorporate the nation’s flag into the design.

So, it seems fit that fashion, yet another industry embraced by various countries, should become a recognized peacemaker and harmonizer just as sports does every four years during the Olympics. With Stella McCartney designing for Great Britain’s team, Prada outfitting Italy’s Olympic sailing team, and other fashionable pairings, fashion and sports obviously work hand in hand in producing “the greatest show in the world.

Next time you hear someone downplaying fashion as a “frivolous” affair, as I commonly hear, mention one of its many critical roles in defining popular culture and bridging differences between various countries. Without it, the robust sense of pride, patriotism and admiration for the United States (thanks to assistance from Ralph Lauren this year) and other nations during sports spectacles would not be nearly as great or thrilling.

By Jonathan Ochart, Global Threads Columnist

Images from gymnasticscoaching.com and fashionista.com.

May 2012

Check out our May 2012 issue!

What to Wear: Coachella Edition

There are certain music festivals where specific types of clothes and shoes are a must -at Glastonberry and Bonnaroo rainboots are basically a requirement, and at Austin City Limits you need shorts without fail. However, at Coachella, the music festival that trumps Lollapolooza, Austin City Limits, and Bonaroo in size, one can actually attend wearing almost anything - making your life impossible when packing for this event.
The festival is stretched onto two weekends because the demand is so high. Last year when I went to Coachella, I pulled an all nighter because I was trying to create new combinations in my wardrobe. At the festival, some people go almost completely naked while some remain fully covered.
Coachella1

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Global Threads: From Infants to Icons

Who would have thought that adorably innocent twin girls donning denim overalls and pigtails would later champion dumpster chic?

First, Mary-Kate and Ashley Olsen played toddlers on Full House in 1987, then starred in their own show, the Adventures of Mary-Kate & Ashley Olsen, to then act in several films, including New York Minute in 2004.  A few decades after their show business debut, however, they managed to gravitate towards (and uphold) roles as fashion icons.  

Lately, it seems as if several young style icons reign from countries other than the United States.  Kate Middleton, Kate Moss, and others dominate the field of dashingly stylish 20-something-year-olds, for instance.  Nonetheless, with TIME magazine listing Mary-Kate and Ashley Olsen in their list of the 100 most influential people in fashion of all time (released April 2, 2012), the twins have successfully legitimized their status as forces to be reckoned with.

I remember watching one of their many films geared towards tweens in the late ’90s/early 2000s back in the day, this particular film called “Holiday in the Sun.”  Watching it again years later, I could not help myself from judging all of their outfits throughout the film.  From frumpy spaghetti straps to horridly busy patterns to highlights gone wrong, the duo has truly evolved and serves as an excellent example for other American teens notably those attempting to grow from purchasing basic, super commercial clothing to truly embracing their personal styles.  As TIME magazine stated, “Ashley and Mary-Kate Olsen have managed to leverage child stardom into a legitimate career in fashion.”

 

Mary-Kate (top photo) and Ashley (lower photo) Olsen also graced the covers of Elle UK’s April 2012 issue.

With brands like Aeropostale, American Eagle, and Hollister serving as staples for the middle school to high school crowds, purchasing clothing from any other store - whether it be luxury items from Gucci or vintage pieces at an unbeatable price from Goodwill - would result in possible removal from the “in-crowd.”

Nonetheless, with the twins we grew up watching on TV now included on a list bearing such names as Coco Chanel and Christian Dior, those dreaming of establishing their own signature styles now know that it’s possible for American girls and boys to make the list, too.  Famous for their grungy look, the duo has established a clothing line at Wal-Mart for girls ages 4 to 14, a couture label named “The Row,” and a women’s collection exclusively sold at JCPenney named “Olsenboye.”  

But, as the twins demonstrate, achieving status as a fashion icon not only involves the clothes on your back, but the attitude you radiate while wearing them.  As they demonstrate, you can get away with wearing clothing and styles with names possessing negative connotations - from “dumpster chic” to “homeless” - as long as you wear them with confidence.  

By Jonathan Ochart, Global Threads Columnist

Images from screenjunkies.com, styleite.com, and fuckyeahmarykateashley.tumblr.com.